Posts Tagged ‘steve gadd’

Drummer Extraordinaire Steve Gadd Takes Earthworks Along for the Ride on James Taylor Tour

Monday, June 14th, 2010

The Drum FullKit™ Captures Nuances of Gadd’s Exquisite Style, Delivering Accurate Frequency Response and Natural Sound

Steve Gadd

Steve Gadd (photo by Bill Zules)

Milford, NH, October 6, 2009 – Earthworks, manufacturer of High Definition Microphones™, announced that it has signed legendary drummer Steve Gadd as its most recently endorsed touring artist. Gadd is among the most accomplished drummers of our time and recently completed a European tour drumming for James Taylor.

At the very start of the tour, well-respected front of house engineer David Morgan told Gadd about Earthworks’ drum mics. Morgan–who has a stellar track record in his own right, was already a fan of Earthworks PianoMic™ calling it “the most beautiful piano system I’ve ever used.” In his second life as a journalist, Morgan also had written enthusiastic reviews about both the PianoMic™ and the Drum FullKit™. As a friend and a trusted professional, Morgan insisted that Gadd give them a try on the James Taylor tour.

“I’ve had a lot of experience with Steve,” explains Morgan. “We took the Earthworks mics with us over to Europe this summer and the results were absolutely astounding. I’ve been sold on these mics from the very beginning and now Steve has become an Earthworks believer as well.”

On the James Taylor tour, Gadd plays a Yamaha drum set with a 20″ x 16″ bass drum, 12″ and 13″ rack toms and 14″ and 15″ floor toms. He’s also got a rack cowbell on the bass drum and four cymbals: two crashes, a ride, a sizzle and a hi-hat. The entire kit is miked using Earthworks’ Drum FullKitTM system; this includes (1) DP25/C (on the snare), (4) DP30/Cs (on the toms), (2) SR25s (overheads), (1) SR30 (on the hi-hat), (1) SR30 (on the kick drum) and a KickPad.

Steve Gadd commented: “A lot of people were talking about these microphones, so I tried them out and they were really good. I have a lot of respect for Dave Morgan, who was very excited, and also got very positive feedback from everyone else involved. They said the dynamics of my playing were really coming through and that mics have a really great, natural sound.”

The DP25/Cs and the DP30/Cs yield an exceptional degree of detail due to their extended frequency range and fast impulse response. Also, the diaphragms found on these mics settle much more quickly than competing microphone diaphragms, enabling them to more accurately capture the widely varying timbre and dynamic sounds typically found in a drum performance. The DP25/C, which is designed to excel on snare drums, features a frequency response of 60Hz to 25kHz. The DP30/C, which comes with a flexible gooseneck, has a frequency response of 30Hz to 30kHz. Both microphones can handle up to 145 dB SPL; their polar patterns feature excellent rear rejection, helping engineers effectively control phasing issues.

Michael Hurwitz, National Sales Manager of Earthworks, commented: “It is an honor for Earthworks to sponsor Steve Gadd, who is a truly unique performer. His track record as a musician is impeccable, and we are privileged for Earthworks to be his microphone of choice. We hope to continue this relationship for many years to come.”

About Earthworks

Earthworks is a New Hampshire, U.S.A. based company that is dedicated to quality and sonic excellence. Each Earthworks product is hand made with great care, meticulous attention to detail and a strong emphasis on quality. Earthworks prides itself in making only the very best in professional audio equipment and it is all made right here in the U.S.A

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Steve Gadd

Tuesday, June 1st, 2010

Steve Gadd (photo by Bill Zules)

At the very start of the James Taylor tour, well-respected front of house engineer David Morgan told Gadd about Earthworks’ drum mics. Morgan, who has a stellar track record in his own right, was already a fan of Earthworks PianoMicTM calling it “the most beautiful piano system I’ve ever used.” In his second life as a journalist, Morgan also had written enthusiastic reviews about both the PianoMicTM and the Drum FullKitTM. As a friend and a trusted professional, Morgan insisted that Gadd give them a try on the James Taylor tour.

Steve Gadd (photo by Bill Zules)

“I’ve had a lot of experience with Steve,” explains Morgan. “We took the Earthworks mics with us over to Europe this summer and the results were absolutely astounding. I’ve been sold on these mics from the very beginning and now Steve has become an Earthworks believer as well.”

On the James Taylor tour, Gadd plays a Yamaha drum set with a 20″ x 16″ bass drum, 12″ and 13″ rack toms and 14″ and 15″ floor toms. He’s also got a rack cowbell on the bass drum and four cymbals: two crashes, a ride, a sizzle and a hi-hat. The entire kit is miked using Earthworks’ Drum FullKitTM system; this includes (1) DP25/C (on the snare), (4) DP30/Cs (on the toms), (2) SR25s (overheads), (1) SR30 (on the hi-hat), (1) SR30 (on the kick drum) and a KickPad™.

FOH David Morgan

Steve Gadd commented: “A lot of people were talking about these microphones, so I tried them out and they were really good. I have a lot of respect for Dave Morgan, who was very excited, and also got very positive feedback from everyone else involved. They said the dynamics of my playing were really coming through and that mics have a really great, natural sound.”

Visit Steve on the web: http://www.drstevegadd.com/

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DrumKit™ Series

Monday, May 24th, 2010

Omni and cardioid mics for drum applications


Earthworks High Definition Microphones™ will provide a substantially better drum sound than conventional microphones. The DrumKit™ Series three-microphone systems provide a more cohesive and unified drum sound. You’ll hear more attack, more subtle detail and a more pristine quality in the sound than with any other microphones. The Earthworks drum microphones capture every nuance of sound from each piece of the drum set with such an exceptional clarity and cohesiveness, which make it sound like a live set of drums, not a bunch of pieces.
  • More cohesive and unified drum sound
  • Hear more attack and subtle detail
  • Increased detail and dynamic range
  • Versatile, multi-use mics
  • Mics are protected in a high impact case
  • Fast setup and teardown
  • Improved impulse response for faster and more accurate transients
  • Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier loud attacks
  • Extended frequency response to 30 kHz to capture a crisper and more realistic image
  • Near perfect polar patterns that remain even across all frequencies and at any position within the pattern

Models

DK25/LDK25/L

The DK25/L is the ideal three-mic choice for live performance or recording in less than ideal acoustic environments. The SR25 cardioid microphones cut off at 50Hz which is ideal for overheads and also for spot miking the snare and/or toms.

DK25/R open boxDK25/R

The DK25/R omni microphones are exceptional for studio recording in a room with good acoustics. If your room acoustics are less than ideal, cardioid overheads will pick up less room sound.

DK50/R open boxDK50/R

The 50Hz response of the QTC50s will provide a spectacular drum sound. The QTC50s incredible frequency response (3Hz to 50kHz) with exceptional impulse response and short diaphragm settling time delivers unbelievable results on drums and percussion.

DFK1 in box

DFK1

The Drum FullKit™ is the ultimate, and every drummer’s dream. The nine FullKit™ microphones allow you to mike every piece of your entire drum set (2-OH, 1-hi-hat, 1-snare, 4-toms & 1-kick drum) with Earthworks® High Definition Microphones™.

DFK1 in boxDFK2

We took our original DFK1 and replaced the 2 SR30s with 2 SR40s to give your drums even more depth and realism. The nine FullKit™ microphones allow you to mike every piece of your entire drum set with Earthworks® High Definition Microphones™.

music noteListen

DK25/R

DK25/L

KickPad™

SR25s as Drum Overheads

DK50/R

DFK1

Related Accessories

DK25/L-C Aluminum case for DK25/L with custom insert

DK25/R-C Aluminum case for DK25/R with custom insert

DK50/R-C Zero/Halliburton™ case for DK50/R with custom insert

DFK-C Requires two high-impact cases for DFK1 or DFK2

KP1 KickPad™ Mic Level Kick Drum Processor

LP1530 LevelPad™ Switchable Mic Pad -15dB or -30dB

Steve Gadd using the DFK1


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DFK1

Monday, May 24th, 2010

For Recording or Live Performance


The Drum FullKit™ is the ultimate set of High Definition drum microphones. It includes microphones and mic accessories for each element of the drum set, and comes housed in two high-impact carrying cases. The custom foam insert for each case makes it easy to store your drum microphones and related accessories when they are not in use. The high-impact case will also protect the microphones and accessories while you are traveling or touring. The cases can be dropped without damaging either the case or the microphones.

  • Improved impulse response for faster and more accurate transients
  • Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier loud attacks
  • Extended frequency response to 30 kHz to capture a crisper and more realistic image
  • Near perfect polar patterns that remain even across all frequencies and at any position within the pattern
  • 1 DP25/C snare microphone
  • 4 DP30/C tom microphones
  • 5 RM1 RimMounts™
  • 9 LevelPads™
  • 1 windscreen to mike snare
  • 2 windscreens for mounted toms
  • 2 windscreens for floor toms
  • 2 SR25s for overheads
  • 1 SR30 for hi-hat
  • 1 SR30 for kick drum
  • 1 KickPad™
  • 2 SRW2 Stainless Steel vocal windscreens
  • 2 high-impact road cases

music noteListen

Drum set miked with 9 conventional mics

Drum set miked with 9 Earthworks FullKit™ mics

Steve Gadd Using the DFK1

Anthony King Using the DFK1

Jason Palmer Using the DFK1

http://www.youtube.com/watch?v=fB61ItgBe34

DFK1 User’s Manual

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CloseMic™ Series

Monday, May 24th, 2010

Drum microphones for individual drums

The CloseMic™ Kits are designed for close miking tom and snare. They are housed in a high impact case that will withstand the rigors of the road. These high impact cases allow you to store each Drum Periscope™ microphone with the RM1 attached, thus saving time in setup and teardown.

  • Improved impulse response for faster and more accurate transients
  • Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier loud attacks
  • Extended frequency response to 30 kHz to capture a crisper and more realistic image
  • Near perfect polar patterns that remain even across all frequencies and at any position within the pattern

Models

CMK4 in box

CMK4

The CMK4 consists of one DP25/C snare mic, three DP30/C tom mics, four LevelPads™ and four RimMounts™. The rugged carrying case also has open slots to add two additional Drum Periscope™ microphones with RimMounts™ and two more LevelPads™.

CMK5 in box

CMK5

The CMK5 consists of one DP25/C snare mic, four DP30/C tom mics, five LevelPads™ and five RimMounts™. The rugged carrying case will safely house your microphones and withstand the rigors of the road.

DFK1 in box

DFK1

The Drum FullKit™ is the ultimate, and every drummer’s dream. The nine FullKit™ microphones allow you to mike every piece of your entire drum set (2-OH, 1-hi-hat, 1-snare, 4-toms & 1-kick drum) with Earthworks® High Definition Microphones™.

DFK1 in boxDFK2

We took our original DFK1 and replaced the 2 SR30s with 2 SR40s to give your drums even more depth and realism. The nine FullKit™ microphones allow you to mike every piece of your entire drum set with Earthworks® High Definition Microphones™.

music note Listen

DFK1

Related Accessories

CMK-C High-impact case for CMK4 & CMK5

Earthworks Artist Jason Palmer Using the DFK1 for Session with Blues Legend Sam Mosley


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  • Testimonials

    avatar"I have finally found microphones that truly capture the way that my drums sound, even to the smallest...
    —Keith Carlock