The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.
27 inches long
Rigid center and flex at both ends
Cardioid polar pattern
Ideal for applications where extra length in a gooseneck is required
Uniform frequency response on or off axis
Ideal as a choir mic or to pick up a group of mixed musicians with minimal visibility
Flat from 50Hz to 20kHz within + 2dB at 6 inches
Will handle up to 145dB SPL
No handling noise
Will stay where you put it
High rejection of sounds to the rear of the microphone
Rejects RFI
They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
Incredible gain before feedback
Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality
The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.
19 inches long
Hypercardioid polar pattern
For applications requiring a tighter pickup pattern with greater off-axis rejection
Ideal for most podium and house of worship applications
Uniform frequency response on or off axis
Ideal for positioning unobtrusively in an instrumental ensemble or in front of a choir for sound reinforcement or recording
Flat from 50Hz to 20kHz within + 2dB at 6 inches
Will handle up to 145dB SPL
No handling noise
Will stay where you put it
High rejection of sounds to the rear of the microphone
Rejects RFI
They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
Incredible gain before feedback
Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality
The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.
19 inches long
Cardioid polar pattern
Ideal for most podium and house of worship applications
Uniform frequency response on or off axis
Ideal for positioning unobtrusively in an instrumental ensemble or in front of a choir for sound reinforcement or recording
Flat from 50Hz to 20kHz within + 2dB at 6 inches
Will handle up to 145dB SPL
No handling noise
Will stay where you put it
High rejection of sounds to the rear of the microphone
Rejects RFI
They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
Incredible gain before feedback
Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality
Foster the People at Coachella 2011 with the FM500 on Guitar
The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.
13 inches long
Hypercardioid polar pattern
Ideal for a wide range of applications from a tall lectern to courtroom and tabletops
Uniform frequency response on or off axis
Flat from 50Hz to 20kHz within + 2dB at 6 inches
Will handle up to 145dB SPL
No handling noise
Will stay where you put it
High rejection of sounds to the rear of the microphone
Rejects RFI
They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
Incredible gain before feedback
Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality
The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.
13 inches long
Cardioid polar pattern
Ideal for a wide range of applications from a tall lectern to courtroom and tabletops
Uniform frequency response on or off axis
Flat from 50Hz to 20kHz within + 2dB at 6 inches
Will handle up to 145dB SPL
No handling noise
Will stay where you put it
High rejection of sounds to the rear of the microphone
Rejects RFI
They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
Incredible gain before feedback
Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality
For church, civic, and corporate podium speech applications
FlexMics™ have been chosen for use in premium church installations, houses of congress, court rooms, political debates, corporate boardrooms, universities and many other educational and governmental institutions.
The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.
Uniform frequency response on or off axis
Flat from 50Hz to 20kHz within + 2dB at 6 inches
Will handle up to 145dB SPL
No handling noise
Will stay where you put it
High rejection of sounds to the rear of the microphone
Rejects RFI
They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
Incredible gain before feedback
Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality
27 inches long
"The PianoMic™ system allowed us to really hear the piano with clarity on stage. It also sounded...
