Posts Tagged ‘microphone’

TC20

Thursday, May 27th, 2010

For louder sources such as drums, percussion, amplified instruments and loud sound effects

The TC Series (Time Coherent) is designed for recording louder sources such as drums, percussion, amplified instruments and loud sound effects. Microphones in this series allow recording of louder acoustic sources without overloading the preamplifier. Models in the TC Series are often the choice for recording drum overheads, close miked or amplified instruments and sound effects.

  • Our least expensive general-purpose omni with high frequency response to 20kHz
  • Ideal for a wide variety of instruments and vocals, including acoustic guitar, string instruments and piano
  • For live sound the TC20 can be used for close miking instrument amps, drums or brass
  • A TC20 under the strings of a standup bass or inside a kick drum will produce amazing sound
  • A pair of TC20s connected to a stereo recorder will provide great results for recording rehearsals and performances
  • Effortlessly handle high sound pressure levels up to 150dB SPL while simultaneously capturing subtle details
  • The TC series provides all of the same attributes as the QTC Series in impulse response, diaphragm settling time and extended frequency response
  • Exceptional flat frequency response and are time coherent, so they sound natural and uncolored

See what people are saying about the TC20

TC20 User’s Manual

Listen

TC20 on Acoustic Guitar

TC20 as Drum Overheads

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TC25

Thursday, May 27th, 2010

For recording loud sources such as drums, percussion, amplified instruments and loud sound effects

TC25 microphoneThe TC Series (Time Coherent) is designed for recording louder sources such as drums, percussion, amplified instruments and loud sound effects. Microphones in this series allow recording of louder acoustic sources without overloading the preamplifier. Models in the TC Series are often the choice for recording drum overheads, close miked or amplified instruments and sound effects.

  • Engineered to be used in our DK25/R DrumKit™ System, but can also provide stunning results on a wide variety of instruments and vocals, including acoustic guitar, string instruments and piano
  • Frequency response goes to 25kHz
  • Will handle up to 150 dB SPL
  • The TC series provides all of the same attributes as the QTC Series in impulse response, diaphragm settling time and extended frequency response
  • Exceptional flat frequency response and are time coherent, so they sound natural and uncolored

TC25 User’s Manual

Listen

TC25 on Acoustic Guitar

TC25 as Drum Overheads

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TC30

Thursday, May 27th, 2010

For louder sources such as drums, percussion, amplified instruments and loud sound effects

The TC Series (Time Coherent) is designed for recording louder sources such as drums, percussion, amplified instruments and loud sound effects. Microphones in this series allow recording of louder acoustic sources without overloading the preamplifier. Models in the TC Series are often the choice for recording drum overheads, close miked or amplified instruments and sound effects.

  • General-purpose omni
  • It is an ideal choice for close miking louder sources like drum overheads, guitar, bass, piano, horns and percussion
  • Incredibly clean up to 150dB SPL while simultaneously capturing subtle details
  • Fast, clean impulse performance yields a remarkably transparent sound
  • Excellent room mic for ambiance in the studio and for recording rehearsals and performances
  • No handling noise, no proximity effect and is very forgiving in terms of placement
  • The TC series provides all of the same attributes as the QTC Series in impulse response, diaphragm settling time and extended frequency response
  • Exceptional flat frequency response and are time coherent, so they sound natural and uncolored

See what people are saying about the TC30

TC30 User’s Manual

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Time Coherent Series

Thursday, May 27th, 2010

For recording louder sources such as drums, percussion, brass, amplified instruments and loud sound effects

The TC Series (Time Coherent) is designed for recording louder sources such as drums, percussion, amplified instruments and loud sound effects. Microphones in this series allow recording of louder acoustic sources without overloading the preamplifier. Models in the TC Series are often the choice for recording drum overheads, close miked or amplified instruments and sound effects.
  • Effortlessly handle high sound pressure levels up to 150dB SPL while simultaneously capturing subtle details
  • The TC series provides all of the same attributes as the QTC Series in impulse response, diaphragm settling time and extended frequency response
  • Exceptional flat frequency response and are time coherent, so they sound natural and uncolored

Models

Omni – 10Hz to 20kHz. The TC20 (same as the SRO) is great for a wide variety of applications. Many musicians use a matched pair for recording their groups in the studio or during a live performance. The TC20 is priced to fit the working musician’s budget and is a great choice for general purpose recording applications.

TC25 microphoneOmni – 9Hz to 25kHz. The TC25 was specifically designed for drums and is also ideal miking instruments such as guitar, string instruments and piano. Its high frequency response extends to 25kHz and it costs less than the TC30. The TC25 is an integral part of our DK25/R DrumKit™ System.

TC30 microphoneOmni – 9Hz to 30kHz. The TC30 (same as the TC30K) is our top of the line microphone for recording louder sources. It is a popular choice for recording as drum overheads and for close-miked acoustic instruments and amplified instruments. With a high frequency response to 30kHz it captures minute details and is the choice of many professionals.

music noteListen

On Acoustic Guitar

For Drum Overheads

TC20 Matched Pair in box

TC30 Matched pairs come in custom, handcrafted wooden boxes

Omni Application Guide

TC Series models are available in matched pairs or matched groups of any number.

Related Accessories

OMW1 Foam teardrop windscreen

OMW2 100 mph foam windscreen

OMW3 Standard foam windscreen

MC1 Standard microphone clip

MC2 Shock mount microphone clip

ECB1 Cherry box for 2 TC30 mics

EWB2 Wood box for 1 TC30 mic

EWB4 Wood box for 1 or 2 TC20 or TC25 mics

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SR40

Thursday, May 27th, 2010

For live performance & recording quiet and loud sources


Earthworks cardioid microphones have patented near-perfect cardioid patterns. The sound across the entire front hemisphere is remarkably uniform and is flatter at 90 degrees than most microphones are on-axis. The SR Series have an incredible transparent sound quality, offering near-perfect polar response and high rejection of sounds at the rear of the microphone, resulting in less leakage and more gain before feedback.

  • Cardioid polar pattern
  • Offers an extended high frequency response, extremely fast impulse response, short diaphragm settling time, exceptional cardioid polar pattern, and high rejection of sounds from the rear of the microphone
  • Intended for a wide range of applications, ranging from drum overheads to miking a guitar cabinet, or as a solo microphone
  • Ideal choice for a variety of instruments including sax, flute, trumpet, guitar, piano, and percussion
  • Superior for vocals or choir because it doesn’t spotlight, rather, it uniformly picks up an entire section
  • Popular among concert tapers because of its open uncolored sound and among jazz enthusiasts for its ability to capture explosive performances while retaining the subtle nuances of artistic expression
  • 30Hz – 40kHz frequency response, revealing subtleties in the sound that are non-existent from microphones with less high frequency range, and enabling musical performances to exhibit greater depth and realism
  • Extremely fast impulse response that enables the microphone to acquire fast transients far more accurately
  • The exceptionally short diaphragm setting time allows the SR40 to reveal subtle low level nuances in sound that other microphones mask
  • Near-perfect cardioid polar pattern ensures that the microphone will not beam or spotlight and provides significantly more gain before feedback than conventional microphones
  • The polar response also enables vocalists or instruments at the sides of the microphone (at 45- or 90-degrees) to have the same pristine sound quality as those at the front of the microphone, and in addition, it facilitates the use of fewer microphones with closer placement to the source, enabling yet additional gain before feedback in live sound applications
  • With an acoustic input rating of 145 dB SPL, the SR40 is a first-rate performer when it comes to capturing loud sound sources
  • Be it a guitar cabinet or a close miked trumpet or saxophone, the SR40 is ideally suited to handle challenging instruments
  • The exceptional rear rejection performance enables the SR40 to easily isolate instruments in a recording or live performance setting, thus minimizing acoustic bleed
  • Effortlessly handle up to 145dB SPL while simultaneously revealing subtle details that other microphones mask
  • Provides excellent results for both live performance and recording applications

SR40 User’s Manual

See what people are saying about the SR40

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SR30/HC

Thursday, May 27th, 2010

For quiet and loud sources


Earthworks hypercardioid microphones have patented near-perfect hypercardioid patterns. The sound across the entire front hemisphere is remarkably uniform and is flatter at 90 degrees than most microphones are on-axis. The SR Series have an incredible transparent sound quality, offering near-perfect polar response and high rejection of sounds at the rear of the microphone, resulting in less leakage and more gain before feedback.

  • SR30HC hypercardioid micHypercardioid polar pattern
  • Offers exceptional directional performance for guitar, sax, flute, drums, bass, and vocals
  • Ideal for natural sound combined with more off-axis rejection, or to reduce unwanted room sound
  • It can pick an acoustic instrument, like a guitar, out of an ensemble while still sounding detailed and life-like
  • Powerful tool for broadcast and vocal production applications because its clarity and detail enhances verbal communication
  • Open, uncolored clarity combined with off-axis uncolored rejection
  • Effortlessly handle up to 145dB SPL while simultaneously revealing subtle details that other microphones mask
  • Provides excellent results for both live performance and recording applications

SR30/HC User’s Manual

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SR25

Wednesday, May 26th, 2010

For quiet and loud sources


Earthworks cardioid microphones have patented near-perfect cardioid patterns. The sound across the entire front hemisphere is remarkably uniform and is flatter at 90 degrees than most microphones are on-axis. The SR Series have an incredible transparent sound quality, offering near-perfect polar response and high rejection of sounds at the rear of the microphone, resulting in less leakage and more gain before feedback. Engineered to be used in our DrumKit™ System, but can also be used on a wide variety of instruments and vocals.
  • Ideal for drum overheads, snare, high hat and kick drum
  • Ideal for close miking other instruments such as acoustic guitar, string acoustics and amplified instruments.
  • Frequency response extends to 25kHz
  • Effortlessly handle up to 145dB SPL while simultaneously revealing subtle details that other microphones mask
  • Provides excellent results for both live performance and recording applications

SR25 User’s Manual

music noteListen

For Drum Overheads

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SR20

Wednesday, May 26th, 2010

For quiet and loud sources

Earthworks cardioid microphones have patented near-perfect cardioid patterns. The sound across the entire front hemisphere is remarkably uniform and is flatter at 90 degrees than most microphones are on-axis. The SR Series have an incredible transparent sound quality, offering near-perfect polar response and high rejection of sounds at the rear of the microphone, resulting in less leakage and more gain before feedback.

  • It will accurately capture a voice with the same precision and quality up to 90 degrees off-axis, providing the same pristine sound quality at the front and side of the microphone
  • Up close the SR20 is warm, not boomy, while its unique windscreen assembly eliminates the popping of P’s
  • Patented design and uniform polar response provide more gain before feedback than other microphones
  • Unscrewing the windscreen of the SR20 allows it to become an instrument mic for piano, guitar, drums, brass, woodwinds and other instruments
  • Effortlessly handle up to 145dB SPL while simultaneously revealing subtle details that other microphones mask
  • Provides excellent results for both live performance and recording applications

See what people are saying about the SR20!

SR20 User’s Manual

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Sound Reinforcement Series

Wednesday, May 26th, 2010

For live performance & recording quiet and loud sources

Earthworks cardioid microphones have patented near-perfect cardioid patterns. The sound across the entire front hemisphere is remarkably uniform and is flatter at 90 degrees than most microphones are on-axis. The SR Series have an incredible transparent sound quality, offering near-perfect polar response and high rejection of sounds at the rear of the microphone, resulting in less leakage and more gain before feedback.
  • Effortlessly handle up to 145dB SPL while simultaneously revealing subtle details that other microphones mask
  • Provides excellent results for both live performance and recording applications
  • Improved impulse response for faster and more accurate transients
  • Shorter diaphragm settling time
  • Extended frequency response to 30 kHz to capture a crisper and more realistic image
  • Near perfect polar patterns that remain even across all frequencies and at any position within the pattern

Models

Hypercardioid – 80Hz to 40kHz. SR40V High Definition Vocal Mic - The SR40V achieves the recreation of the True Live Sound™ with its revolutionary circuitry by combining flat, extended frequency response with lightning fast impulse response.

Cardioid – 50Hz to 20kHz. The SR20 is an exceptional vocal microphone that provides pristine audio quality and more gain before feedback. Unscrew its windscreen and it is an excellent instrument microphone. It is priced to fit the working musician’s budget.

Cardioid – 50Hz to 25kHz. The SR25 was specifically designed for drums and is also ideal for a wide variety of other instruments. It’s high frequency response goes to 25kHz and costs less than the SR30. The SR25 is an integral part of our DK25/L DrumKit™ System.

Cardioid – 30Hz to 30kHz. The SR30 is the most accurate cardioid microphone on the market. With high frequency response to 30kHz it will capture incredible detail in music. It is the microphone of choice for a wide variety of musical instruments in remote and studio recording. It is also spectacular as an overhead choir microphone.

Hypercardioid – 30Hz to 30kHz. The SR30/HC offers all of the same characteristics and performance as the SR30, with a superb hypercardioid pick-up pattern. This is the microphone of choice for applications requiring the very best in audio quality and a tighter pick-up pattern where more off-axis rejection is needed.

SR40Cardioid - 30Hz to 40kHz. The SR40 offers an extended high frequency response, extremely fast impulse response, short diaphragm settling time, exceptional cardioid polar pattern, and high rejection of sounds from the rear of the microphone. It is intended for a wide range of applications, ranging from drum overheads to miking a guitar cabinet, or as a solo microphone.

Hypercardioid – 30Hz – 40kHz. The SR40/HC offers an extended high frequency response, extremely fast impulse response, short diaphragm settling time, exceptional hypercardioid polar pattern, and high rejection of sounds from the rear of the microphone. It is intended for a wide range of applications, ranging from drum overheads to miking a guitar cabinet, or as a solo microphone.

music noteListen

On Acoustic Guitar

For Drum Overheads

SR30MP in box

SR30, SR30/HC & SR40 Matched pairs come in custom, handcrafted wooden boxes

SR Series models are available in matched pairs or matched groups of any number.

Related Accessories

SRW1 Black aluminum windscreen for SR20, SR30, SR30/HC or SR40

SRW2 Stainless steel windscreen for SR20, SR30 or SR30/HC

SRW3 Foam windscreen for SR25

SRW4 Foam windscreen for SR20, SR30 & SR30/HC

MC1 Standard microphone clip

MC2 Shock mount microphone clip

ECB1 Cherry box for 2 SR30 or 2 SR30/HC mics

EWB1 Wood box for 1 mic & windscreen for SR30, SR30/HC or SR20

EWB4 Wood box for 1 or 2 SR25 mics

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QTC30

Wednesday, May 26th, 2010

For recording quieter sources such as vocals, acoustic guitar, piano, strings and distant miked orchestras and choirs

QTC30 microphoneThe QTC Series (Quiet Time Coherent) is designed for recording quieter sources such as vocals, strings and distant miked orchestras or choirs. These low-noise omnis are also an excellent choice for drum overheads, close-miked wind and percussion instruments. Earthworks’ reputation for realism is based on these distinctive omnis. Time Coherent Response means these models do not smear the time domain as most microphones do.

  • With a frequency response to 30kHz and excellent impulse response, it will reproduce sounds with incredible detail that are true and life-like, making it an ideal and affordable choice for recording applications
  • Intended for detailed sources and does not have most of the problems and limitations generally associated with competitive microphones
  • Omnidirectional polar pattern
  • Accurate and uncolored
  • QTC microphones handle sound levels up to 142dB with no proximity effect or handling noise
  • All models are available in matched pairs
  • No handling noise

See what people are saying about the QTC30

QTC30 User’s Manual

music noteListen

QTC30 on Acoustic Guitar

QTC30 as Drum Overheads

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  • Testimonials

    avatar"After spending a day in the studio checking out different configurations, placements and comparing...
    —Wally Schnalle