Posts Tagged ‘hypercardioid’

FMR720/HC

Wednesday, February 16th, 2011

27 inch hypercardioid dual flex podium microphone

The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.

  • 27 inches long
  • Rigid center and flex at both ends
  • Hypercardioid polar pattern
  • Ideal for applications where extra length in a gooseneck is required
  • For applications requiring a tighter pickup pattern with greater off-axis rejection
  • Uniform frequency response on or off axis
  • Ideal as a choir mic or to pick up a group of mixed musicians with minimal visibility
  • Flat from 50Hz to 20kHz within + 2dB at 6 inches
  • Will handle up to 145dB SPL
  • No handling noise
  • Will stay where you put it
  • High rejection of sounds to the rear of the microphone
  • Rejects RFI
  • They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
  • Incredible gain before feedback
  • Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
  • In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality


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C30/HC

Thursday, July 1st, 2010

For permanent installation in choir and similar performance venues

The Earthworks® ChoirMic™ Series of hanging choir microphones provide pristine audio quality without spotlighting and more gain before feedback while picking up almost no sound from the rear of the microphones. They are ideal for miking choirs and orchestra or band in front of the choir.

Choir microphones have always presented a unique design and installation challenge – the traditional solution is to use an angle guide on the microphone’s lead to aim towards the performance venue. The problem with this approach is that either a very small microphone had to be used to keep aimable weight within practical limits – or locate the microphone’s electronics at some considerable distance from the element – inviting losses and noise. The ChoirMic™ Series solves all of these problems.

  • Hypercardioid polar pattern
  • For those installations where a tighter pickup pattern is desired for better isolating performers, or in those installations where particularly aggressive stage monitors would otherwise present a problem
  • No spotlighting
  • More gain before feedback
  • Picks up almost no sound from the rear of the microphone
  • Electronics housed in microphone
  • 30 foot balanced, twisted pair star-quad cable
  • Prevents RFI
  • Mini-gooseneck allows quick and easy positioning
  • Available in black and white

C30/HC User’s Manual

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SR30/HC

Thursday, May 27th, 2010

For quiet and loud sources


Earthworks hypercardioid microphones have patented near-perfect hypercardioid patterns. The sound across the entire front hemisphere is remarkably uniform and is flatter at 90 degrees than most microphones are on-axis. The SR Series have an incredible transparent sound quality, offering near-perfect polar response and high rejection of sounds at the rear of the microphone, resulting in less leakage and more gain before feedback.

  • SR30HC hypercardioid micHypercardioid polar pattern
  • Offers exceptional directional performance for guitar, sax, flute, drums, bass, and vocals
  • Ideal for natural sound combined with more off-axis rejection, or to reduce unwanted room sound
  • It can pick an acoustic instrument, like a guitar, out of an ensemble while still sounding detailed and life-like
  • Powerful tool for broadcast and vocal production applications because its clarity and detail enhances verbal communication
  • Open, uncolored clarity combined with off-axis uncolored rejection
  • Effortlessly handle up to 145dB SPL while simultaneously revealing subtle details that other microphones mask
  • Provides excellent results for both live performance and recording applications

SR30/HC User’s Manual

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Sound Reinforcement Series

Wednesday, May 26th, 2010

For live performance & recording quiet and loud sources

Earthworks cardioid microphones have patented near-perfect cardioid patterns. The sound across the entire front hemisphere is remarkably uniform and is flatter at 90 degrees than most microphones are on-axis. The SR Series have an incredible transparent sound quality, offering near-perfect polar response and high rejection of sounds at the rear of the microphone, resulting in less leakage and more gain before feedback.
  • Effortlessly handle up to 145dB SPL while simultaneously revealing subtle details that other microphones mask
  • Provides excellent results for both live performance and recording applications
  • Improved impulse response for faster and more accurate transients
  • Shorter diaphragm settling time
  • Extended frequency response to 30 kHz to capture a crisper and more realistic image
  • Near perfect polar patterns that remain even across all frequencies and at any position within the pattern

Models

Hypercardioid – 80Hz to 40kHz. SR40V High Definition Vocal Mic - The SR40V achieves the recreation of the True Live Sound™ with its revolutionary circuitry by combining flat, extended frequency response with lightning fast impulse response.

Cardioid – 50Hz to 20kHz. The SR20 is an exceptional vocal microphone that provides pristine audio quality and more gain before feedback. Unscrew its windscreen and it is an excellent instrument microphone. It is priced to fit the working musician’s budget.

Cardioid – 50Hz to 25kHz. The SR25 was specifically designed for drums and is also ideal for a wide variety of other instruments. It’s high frequency response goes to 25kHz and costs less than the SR30. The SR25 is an integral part of our DK25/L DrumKit™ System.

Cardioid – 30Hz to 30kHz. The SR30 is the most accurate cardioid microphone on the market. With high frequency response to 30kHz it will capture incredible detail in music. It is the microphone of choice for a wide variety of musical instruments in remote and studio recording. It is also spectacular as an overhead choir microphone.

Hypercardioid – 30Hz to 30kHz. The SR30/HC offers all of the same characteristics and performance as the SR30, with a superb hypercardioid pick-up pattern. This is the microphone of choice for applications requiring the very best in audio quality and a tighter pick-up pattern where more off-axis rejection is needed.

SR40Cardioid - 30Hz to 40kHz. The SR40 offers an extended high frequency response, extremely fast impulse response, short diaphragm settling time, exceptional cardioid polar pattern, and high rejection of sounds from the rear of the microphone. It is intended for a wide range of applications, ranging from drum overheads to miking a guitar cabinet, or as a solo microphone.

Hypercardioid – 30Hz – 40kHz. The SR40/HC offers an extended high frequency response, extremely fast impulse response, short diaphragm settling time, exceptional hypercardioid polar pattern, and high rejection of sounds from the rear of the microphone. It is intended for a wide range of applications, ranging from drum overheads to miking a guitar cabinet, or as a solo microphone.

music noteListen

On Acoustic Guitar

For Drum Overheads

SR30MP in box

SR30, SR30/HC & SR40 Matched pairs come in custom, handcrafted wooden boxes

SR Series models are available in matched pairs or matched groups of any number.

Related Accessories

SRW1 Black aluminum windscreen for SR20, SR30, SR30/HC or SR40

SRW2 Stainless steel windscreen for SR20, SR30 or SR30/HC

SRW3 Foam windscreen for SR25

SRW4 Foam windscreen for SR20, SR30 & SR30/HC

MC1 Standard microphone clip

MC2 Shock mount microphone clip

ECB1 Cherry box for 2 SR30 or 2 SR30/HC mics

EWB1 Wood box for 1 mic & windscreen for SR30, SR30/HC or SR20

EWB4 Wood box for 1 or 2 SR25 mics

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P30/HC

Wednesday, May 26th, 2010

Periscope hypercardioid microphone


The Periscope™ High Definition Microphone Series was originally designed for use as stand-mounted choir microphones. However, when top recording and live sound engineers saw these, they envisioned a whole new world of possibilities. They immediately realized that, with the 4-inch flexible neck and small microphone head, this High Definition Microphone™ could be positioned or placed where other microphones could not, such as under the strings of an acoustic bass.

  • Hypercardioid polar pattern
  • For applications requiring a tighter polar pattern that will pick up less from the sides of the microphone with high rejection of sounds from the rear
  • Frequency response from 30Hz to 30kHz
  • Used as stand mounted choir microphones
  • For those who have a band or orchestra in front of a choir, the Periscope mics will pick up far less of the band or orchestra
  • Ideal for drum overheads, toms, acoustic bass, acoustic guitar and amplified instruments
  • Microphone body can be placed parallel to the shell of a drum pointing straight up and the microphone can be pointed straight down at the drum head
  • Easily mic guitars and other instruments, then re-position the microphone without moving the stand or boom
  • Incredible gain before feedback while rejecting sounds from the rear of the microphone
  • Near perfect polar response allows them to be placed closer to a choir with no spotlighting
  • Can be used for stringed, woodwind and percussion instruments

P30/HC User’s Manual

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Periscope™ Series

Wednesday, May 26th, 2010

For recording or live sound applications with percussion, acoustic or amplified instruments or choir when using microphone stands

The Periscope™ High Definition Microphone Series was originally designed for use as stand-mounted choir microphones. However, when top recording and live sound engineers saw these, they envisioned a whole new world of possibilities. They immediately realized that, with the 4-inch flexible neck and small microphone head, this High Definition Microphone™ could be positioned or placed where other microphones could not, such as under the strings of an acoustic bass.

  • Microphone body can be placed parallel to the shell of a drum pointing straight up and the microphone can be pointed straight down at the drum head
  • Easily mic guitars and other instruments, then re-position the microphone without moving the stand or boom
  • Incredible gain before feedback while rejecting sounds from the rear of the microphone
  • Near perfect polar response allows them to be placed closer to a choir with no spotlighting
  • Can be used for stringed, woodwind and percussion instruments

Models

P30/C cardioid Periscope™

P30/HC hypercardioid Periscope™

Periscope matched pair in box

Matched pairs come in custom, handcrafted wooden boxes.

Periscope™ Series microphones are available in black or white and in cardioid or hypercardioid models. They are also available in matched pairs or matched groups of any number.

The Periscope™ Series microphones are technically the same as the SR30 and SR30/HC respectively, with a different body and the added feature of a mini-gooseneck.

Related Accessories

MC1 Standard microphone clip

MC2 Shock mount microphone clip

PW1 Foam teardrop windscreen

RM1 Drum RimMount

EWB5 Wood box for 1 or 2 Periscope™ mics

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FM500/HC

Tuesday, May 25th, 2010

19 inch hypercardioid podium microphone

The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.

  • 19 inches long
  • Hypercardioid polar pattern
  • For applications requiring a tighter pickup pattern with greater off-axis rejection
  • Ideal for most podium and house of worship applications
  • Uniform frequency response on or off axis
  • Ideal for positioning unobtrusively in an instrumental ensemble or in front of a choir for sound reinforcement or recording
  • Flat from 50Hz to 20kHz within + 2dB at 6 inches
  • Will handle up to 145dB SPL
  • No handling noise
  • Will stay where you put it
  • High rejection of sounds to the rear of the microphone
  • Rejects RFI
  • They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
  • Incredible gain before feedback
  • Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
  • In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality


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FM360/HC

Tuesday, May 25th, 2010

13 inch hypercardioid podium microphone

The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.

  • 13 inches long
  • Hypercardioid polar pattern
  • Ideal for a wide range of applications from a tall lectern to courtroom and tabletops
  • Uniform frequency response on or off axis
  • Flat from 50Hz to 20kHz within + 2dB at 6 inches
  • Will handle up to 145dB SPL
  • No handling noise
  • Will stay where you put it
  • High rejection of sounds to the rear of the microphone
  • Rejects RFI
  • They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
  • Incredible gain before feedback
  • Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
  • In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality


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FM Series Podium Microphones

Monday, May 24th, 2010

For church, civic, and corporate podium speech applications

LA State Capital FlexMic

FlexMics™ have been chosen for use in premium church installations, houses of congress, court rooms, political debates, corporate boardrooms, universities and many other educational and governmental institutions.

The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.

  • Uniform frequency response on or off axis
  • Flat from 50Hz to 20kHz within + 2dB at 6 inches
  • Will handle up to 145dB SPL
  • No handling noise
  • Will stay where you put it
  • High rejection of sounds to the rear of the microphone
  • Rejects RFI
  • They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
  • Incredible gain before feedback
  • Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
  • In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality

Standard Models

13 inches – FM360 (cardioid) and FM360/HC (hypercardioid)

19 inches – FM500 (cardioid) and FM500/HC (hypercardioid)

Rigid Center Models

19 inches – FMR500 (cardioid) and FMR500/HC (hypercardioid)

27 inches – FMR720 (cardioid) and FMR720/HC (hypercardioid)

FlexMic™ Series Data Sheet

More information on how to choose the right podium mic.

Related Accessories

PMM1 Podium mount

SRW3 Foam windscreen

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FW730/HC

Monday, May 24th, 2010

30 kHz 7 foot hypercardioid microphone system

The FlexWand™ is a combination of a 30kHz High Definition Microphone™ and a low profile microphone stand and boom as a single unit. It allows the microphone head to be positioned as high as 7 feet and as low as 1.5 feet from the floor or anywhere in between. There are no visible wires or cables above floor level. Visually it is low profile, smooth, sleek and clean. The FlexWand™ is the ideal solution for applications where the utmost in sound quality and a low profile is required. Now you don’t have to find a mic, attach the mic clip to the stand and then dress the cable around the stand. Just pick up the FlexWand™, position it and plug the mic cable into the base.

  • Hypercardioid polar pattern
  • Frequency response of 30Hz to 30kHz
  • Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
  • For applications requiring a tighter pickup pattern with greater off-axis rejection
  • Large flex section near the center of the stand that couples the stand and the wand
  • Mini-gooseneck between the end of the wand and the microphone head
  • The lower section of the stand is 3/4” in diameter and the 24 inch wand is 5/16” in diameter with a 4.5” mini-gooseneck connected at the end which connects to the High Definition Microphone™ head
  • The combination of a mid-flex section and the mini flex on the wand provide an infinite combination of placement options between 1.5 feet and 7 feet
  • Substantial improvement in gain before feedback
  • The near perfect polar response of the FlexWand™ allows the use of fewer microphones on choir, with better sound quality, no spotlighting and incredible rejection of sounds from the rear of the microphone
  • Ideal where bands or orchestras are placed in front of a choir, as the FlexWand™ will reject much of the sound of the band or orchestra
  • The sturdy 12 pound base will not allow the FlexWand™ to be accidentally knocked over

FW730/HC User’s Manual

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