Posts Tagged ‘flexmic’

FMR720/HC

Wednesday, February 16th, 2011

27 inch hypercardioid dual flex podium microphone

The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.

  • 27 inches long
  • Rigid center and flex at both ends
  • Hypercardioid polar pattern
  • Ideal for applications where extra length in a gooseneck is required
  • For applications requiring a tighter pickup pattern with greater off-axis rejection
  • Uniform frequency response on or off axis
  • Ideal as a choir mic or to pick up a group of mixed musicians with minimal visibility
  • Flat from 50Hz to 20kHz within + 2dB at 6 inches
  • Will handle up to 145dB SPL
  • No handling noise
  • Will stay where you put it
  • High rejection of sounds to the rear of the microphone
  • Rejects RFI
  • They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
  • Incredible gain before feedback
  • Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
  • In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality


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FMR720

Wednesday, February 16th, 2011

27 inch cardioid dual flex podium microphone

The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.

  • 27 inches long
  • Rigid center and flex at both ends
  • Cardioid polar pattern
  • Ideal for applications where extra length in a gooseneck is required
  • Uniform frequency response on or off axis
  • Ideal as a choir mic or to pick up a group of mixed musicians with minimal visibility
  • Flat from 50Hz to 20kHz within + 2dB at 6 inches
  • Will handle up to 145dB SPL
  • No handling noise
  • Will stay where you put it
  • High rejection of sounds to the rear of the microphone
  • Rejects RFI
  • They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
  • Incredible gain before feedback
  • Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
  • In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality


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FMR500

Wednesday, February 16th, 2011

19 inch cardioid dual flex podium microphone

The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.

  • 19 inches long
  • Rigid center and flex at both ends
  • Cardioid polar pattern
  • Ideal for most podium and house of worship applications
  • Uniform frequency response on or off axis
  • Ideal for positioning unobtrusively in an instrumental ensemble or in front of a choir for sound reinforcement or recording
  • Flat from 50Hz to 20kHz within + 2dB at 6 inches
  • Will handle up to 145dB SPL
  • No handling noise
  • Will stay where you put it
  • High rejection of sounds to the rear of the microphone
  • Rejects RFI
  • They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
  • Incredible gain before feedback
  • Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
  • In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality


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Earthworks FlexMic™ Series Receives Technical Improvements and Addition of New Models

Tuesday, September 28th, 2010

September 28, 2010

Milford, NH – September 28, 2010 – Earthworks, Inc., a leading manufacturer of High Definition Microphones™ for recording, live sound, and test/measurement applications, is pleased to introduce new improvements in the FlexMic™ Series of microphones. Designed specifically for use as podium microphones, the FlexMic™ Series offers numerous versatile features and options that make these microphones the ideal choice for public speaking venues—making them perfect for integration into lecture halls, presentation spaces, churches, civic centers, theaters, and government facilities.

The newly revised Earthworks FlexMic™ Series consists of three basic product groups with a variety of models within each group to ensure the best microphone choice for any given application. The redesigned original FM Series incorporates six models with fully flexible goosenecks in three lengths with the choice of either cardioid or hypercardioid polar patterns. The FMR Series includes four models in two lengths with goosenecks that have a rigid center and flex at both ends—available in cardioid or hypercardioid. The FMLR Series microphones also have a rigid center and flex at both ends in addition to a light ring to indicate the microphone’s on/off status and are available in cardioid or hypercardioid models.

Earthworks’ patented technologies incorporated in the newly revised FlexMic™ Series models provide a high level of speech intelligibility and uniform off-axis response to insure that the orator is heard clearly and distinctly, with no loss in sound quality, when speaking either at the front or at the sides of the microphone. The FlexMics offer uniform frequency response at 0-degrees on-axis as well as at 45- and 90-degrees off-axis. This smooth off-axis response and high rejection of sounds from the rear of the microphone also provides more gain before feedback. With 145 dB SPL (sound pressure level) maximum acoustic input, it is virtually impossible to overload the FlexMics, and there is no microphone handling noise.

The exceptional RFI performance of the redesigned FlexMic™ Series microphones is the result of Earthworks new, proprietary RFI Freedom circuitry. This new circuitry was designed to provide complete isolation from radio frequency interference. In today’s challenging wireless environments, cell phones and other GSM devices are no match for Earthworks’ new RFI Freedom circuitry. Sound system integrators needn’t worry about buzzes, hums, and other radio communications compromising the FlexMic’s exemplary performance.

The new and improved FlexMic™ Series has a frequency response that extends from 50 Hz to beyond 20 kHz (+ 2 dB @ 6 inches) which provides a natural sound quality that is never shrill at the high end or ‘muddied’ at the low end.

Michael Hurwitz, Earthworks National Sales Manager, commented on the company’s newly improved FlexMic™ Series. “Our improved FlexMic Series, which was recently deployed as part of a substantial facility overhaul at the Louisiana State Capital, offers a high level of performance that results in clearly understood dialog—making these microphones a terrific choice for environments where public speaking is common. Whether it’s a boardroom, a lecture hall, a church, or a similar environment, the FlexMics offer today’s orator the clarity and dynamic range that enables them to sound completely natural and be clearly understood. Combined with our new RFI Freedom circuitry and comprehensive range of gooseneck lengths and types, I’m confident sound system integrators will find the perfect microphone for every installed sound project they encounter.”

About Earthworks, Inc.

Earthworks is a New Hampshire, U.S.A. based manufacturer of High Definition Microphones™ that is dedicated to quality and sonic excellence. Each Earthworks product is handmade with great care, meticulous attention to detail, and a strong emphasis on quality. Earthworks prides itself in making only the very best in professional audio equipment intended for mission critical sound applications. For additional information, visit the company online at www.earthworksaudio.com.

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Warm and Clear: Choosing the best podium microphone for public venues

Tuesday, June 15th, 2010

In the opinion of Kyu-Chol Jung

Generally musicians and sound engineers develop a strong preference for a microphone whose coloration and response are favorable to the type of music they most commonly record. They believe that the consistency of the characteristics of a familiar model will ensure a quality recording. Microphones for sound reinforcement of orators before an audience have entirely different requirements – often much different than those used for musical recording.

In venues where there are known and regular speakers, such as church clergy or a recurring lecturer, etc. – it is proper to choose a microphone that complements that individual, and should be chosen accordingly. However – when choosing a microphone for use as a podium microphone at public venues where the speakers are varied and unknown the requirements are much different.

The essential characteristics for a podium microphone should be delivering clear, warm and uncolored sound, without any assumptions about the speaker. A harsh and edgy sound with a great deal of sibilance can quickly tire an audience, while a warm and gentle voice quality calms the audience, making the audience far more receptive to the speaker’s message.

Many Podium Microphones have been brought to market, most of them are well made, provide adequate frequency response and have the ability to deliver clear and uncolored sound. Unfortunately – most can be somewhat harsh and susceptible to pops and other distracting artifacts limiting their usefulness as a podium microphone.

I have tested many different gooseneck microphones in live sound environments and the Earthworks FM Series Microphones deliver the most pleasing and “listen-able” sound. In my opinion, it’s far more important to connect the speaker with the audience – than meeting some “expectation” of a recording engineer.

Smooth bass, pop-resistant; clear but warm and pleasing at the same time — This is what makes Earthworks FM Series so special.

Mr. Kyu-Chol Jung is the F.O.H Engineer for SOUNDFORCE (Korea); he is a popular Lecturer at the Sound Reinforcement System Academy and author of two published books: Live Sound 2008 (The first edition 2000); and Live Sound Engineering (2003)

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Earthworks Flex Series Microphones

Tuesday, June 15th, 2010

From Pro Audio Review

by Edd Forké, 01.01.2003

This review is actually for three mics in the Earthworks Flex Series of gooseneck-type podium microphones. Earthworks is a company praised for its superb omni and reference microphones, known for being very flat and neutral or “uncolored.”

product pointsEarthworks’ Flex Microphones, $400 each, are intended for podium use, as hanging choir mics and for a variety of instrument applications. They are equally adept at handling soft vocals or high SPL drums.

Features

The Flex Series Microphones, all $400, are said to perform very similarly to Earthworks’ award-winning SR69 handheld cardioid condenser mic. But the Flex Series Mics have flexible goosenecks of 13 inches (FM360), 19 inches (FM500) and 27 inches (FM720). Unlike some gooseneck mics that make quite a sonic crunch when moved, the Flex Series are very quiet during repositioning.

On-axis sound quality is natural and uniform all the way out to 90 degrees. Off-axis sound is rejected smoothly with very little coloration. When used as a podium mic, this characteristic is beneficial when the speaker (in this case, a very animated pastor) is moving all around in front of the mic. He or she will be picked up much more consistently than with some other microphones.

While it is natural to think of the Flex Series only as podium mics, because that is exactly what they look like, they are really designed for a wide variety of other applications like choirs and acoustic guitar, and for very loud sources like drums.

The Flex Series are flat from 50 Hz to 20 kHz within ±2 dB at six inches. This level of accuracy is unusual in flexible microphones. Earthworks says its Flex Series mics “facilitate intelligibility and communication through time accurate response… and are optimized for fast, clean impulse response. This results in uncolored sound because the relationships between frequency and time are less smeared than with normal mics.” This may be correct because the characteristic “sound” of the Earthworks mics reminds me of my Magnepan electrostatic home speakers – fast, accurate and detailed

As mentioned above, the Flex Series mics come in three lengths. Having XLR-male connectors (of course) made them easy to swap out during setup and use.

In Use

Visually, the Earthworks mics were dripping with quality, exhibiting jewel-like appearance and construction. It is fun (if you have a boring, engineeresque personality like mine) to look over something this well made and find the flaw. I found none on these made-in-America, museum-quality mics.

The FM 720 (27 inches) is the extra long model and is “the best hanging choir mic,” which is exactly what I used it for. In situations that require extra flexible reach, the FM720 is the first choice.

I used the FM 720 in place of our church’s Shure condenser mics. The Earthworks sounded natural and present. To compare them to the Shures would not be fair in this setting, but it is fair to say that the Earthworks mics sound great in the room, and on the recording I was doing on the sly.

The FM 500 (19 inches) is a good length for most podium and church applications. The ability to adjust its position with very little (read: no) handling noise is amazing… really! Also cool is that it does not try to move back a little after you reposition it. It will stay where you put it. I wanted to peel off the vinyl covering from the flexible neck to see how Earthworks does it.

I mentioned above that the off-axis ability of the Flex Series was a benefit when used with an orator who is constantly on the move. In this situation, the FM 500 replaced a lavalier mic.

Of course, the lav “tends” to go everywhere the user goes, yet the FM 500 did an impressive job of picking up everything within reasonable range of its placement, and sounding very natural while doing so.

I used the FM 360 (13 inches) to mic an acoustic guitar and swapped the FM 500 to use for the guitar player’s vocals. This is where one could really get a good idea of just how natural and clean the Earthworks mics sounded. Very impressive! And, this great sound came right through on the recording. After hearing the recording and hearing how good she sounded, the guitarist/vocalist was certainly disappointed to learn that the church had not bought these mics but had to return them.

Summary

The Earthworks Flex Series are microphones that are superb for their intended use. They produce a clear, detailed, natural sonic image in a variety of applications. Earthworks (and Recording Arts 101) says to try mics first using no EQ. That is certainly true with these mics. They sound great on their own.

When one considers the wide range of possible applications for the Flex Series mics and their splendid audio characteristics, it would be difficult to choose against them.

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Earthworks Microphones Deployed At Louisiana State Capital

Tuesday, June 15th, 2010

Customized SR25 and FlexMic™ models prove ideal for prestigious facility

Baton Rouge, LA, May 6, 2010 – The Louisiana State Capital, which houses the Louisiana State Legislature, the governor’s office, and parts of the executive branch, is a national historic landmark. Completed in 1932, the 34-story, 450-foot Alabama limestone-clad skyscraper is decorated with sculpture representing the State’s history and is the tallest capitol building in the United States, the tallest building in Baton Rouge, and the seventh-tallest building in Louisiana. The Louisiana State Capital is presently undergoing a multi-phase upgrade of its audio-visual facilities and, as part of this effort, numerous microphones from Milford, NH-based Earthworks Inc. are being deployed.

Lousiana State Capital FlexMic

Podium inside the Louisiana State Capital chamber equipped with an Earthworks microphone.

NBTA Engineers, Inc. of Baton Rouge, an engineering consultancy that designs audio-visual, telecommunications, and security systems, was contracted to handle the design and specification of the building’s extensive electronics upgrade. As microphones are critical elements in this type of installation—not only for sound reinforcement, but also for recording/documentation purposes—NBTA’s design team took a long, hard look at the manner in which the microphones are typically used. Trez Traylor, President of NBTA Engineers, discussed the challenges they encountered.

“During our observations of both the Senate and the House of Representatives, Traylor explained, “we quickly realized that, unlike professional entertainers, many of the men and women had little—if any—real experience using microphones. Some people would hold the mic against their chest as they spoke while others would look down at their paperwork without taking into account the placement of the microphone. The result was extremely inconsistent sound quality and audio levels, making it quite challenging to hear what was being said. For this reason, we knew that off-axis microphone performance was critical if we were to improve the situation.”

“Similarly,” he continued, “we needed to find microphones that were easy to use, could be positioned at the optimum height, and in some cases, provided visual feedback as to their on/off status. We quickly realized we were looking at a situation that required customization. After identifying the most promising microphone models, we spoke with a number of manufacturers. In short order, we selected Earthworks—both for the performance of their microphones as well as for the company’s responsiveness and flexibility in terms of addressing our requirements.”

The first phase of NBTA’s Louisiana State Capital Audio – Video Systems Upgrade called for 114 Earthworks SR25 microphones and 46 of the company’s popular FlexMic™ models. For the SR25’s, the Earthworks engineering team customized the microphones’ sound for handheld applications, used a lighter metal to better facilitate comfort while holding the microphones, and also used an anodized finish to ensure greater durability. Additionally, the modifications called for 40 ‘screw-on’ windscreens. The Earthworks FlexMic™, which is being used for tabletop applications, was customized with a special, extended boom length and had LED light rings incorporated into the tip of the microphones to indicate on/off status. Ford Audio-Video, a well known integration firm with numerous offices throughout the United States, handled the actual installation.

The Earthworks microphones are installed throughout both chambers of the Louisiana State Capital as well as in committee rooms. Traylor commented on the microphones applications, “To ensure the greatest ease of use, we have the SR25 handheld microphones connected via a special assembly that automatically retracts the microphone cable back into the desk. This keeps cable clutter to an absolute minimum while the mics are in use and effectively hides the cable the moment it is put down. The FlexMics, which are positioned on lecterns and all other permanent positions at the front of the two chambers, connect directly into a flush mounted XLR connector on the surface—creating a clean look and providing easy to adjust positioning.” Biamp Audia and QSC Q-Flex networked audio processing and management systems provide DSP functionality and a Crestron automation system integrates the microphones with other equipment.

Before turning his attention to other matters, Traylor commented on Earthworks’ customer and technical support services and its impact on the Louisiana State Capital project. “Everyone at Earthworks has been a pleasure to do business with,” he said. “The company has a real ‘can do’ attitude and they delivered the equipment right on schedule. I was impressed with the company’s understanding of what we were looking to accomplish and of their willingness to provide mockup products during the evaluation stage. We’ve been very pleased—both with the performance of the equipment as well as the company’s ability to take on custom projects. As we complete this first phase of the Louisiana State Capital’s audio-visual renovation, we’re now looking at the second phase, which involves roughly eleven more committee rooms—each with anywhere from 15-25 microphones. Rest assured, we’re planning on bringing Earthworks back for the next round!”

For additional information about NBTA Engineers, Inc., contact the company at 225-761-1112.

If you are interested in working with Earthworks to customize microphones for an installation or high volume order, please contact our sales department at sales@earthworksaudio.com or (603) 654-6427.

About Earthworks, Inc.

Earthworks is a New Hampshire, U.S.A. based manufacturer of High Definition Microphones that is dedicated to quality and sonic excellence. Each Earthworks product is handmade with great care, meticulous attention to detail, and a strong emphasis on quality. Earthworks prides itself in making only the very best in professional audio equipment intended for mission critical sound applications.

Click here for a hi-res image of a podium inside the Louisiana State Capital chamber equipped with an Earthworks microphone.

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FM500/HC

Tuesday, May 25th, 2010

19 inch hypercardioid podium microphone

The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.

  • 19 inches long
  • Hypercardioid polar pattern
  • For applications requiring a tighter pickup pattern with greater off-axis rejection
  • Ideal for most podium and house of worship applications
  • Uniform frequency response on or off axis
  • Ideal for positioning unobtrusively in an instrumental ensemble or in front of a choir for sound reinforcement or recording
  • Flat from 50Hz to 20kHz within + 2dB at 6 inches
  • Will handle up to 145dB SPL
  • No handling noise
  • Will stay where you put it
  • High rejection of sounds to the rear of the microphone
  • Rejects RFI
  • They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
  • Incredible gain before feedback
  • Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
  • In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality


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FM500

Tuesday, May 25th, 2010

19 inch cardioid podium microphone

The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.

  • 19 inches long
  • Cardioid polar pattern
  • Ideal for most podium and house of worship applications
  • Uniform frequency response on or off axis
  • Ideal for positioning unobtrusively in an instrumental ensemble or in front of a choir for sound reinforcement or recording
  • Flat from 50Hz to 20kHz within + 2dB at 6 inches
  • Will handle up to 145dB SPL
  • No handling noise
  • Will stay where you put it
  • High rejection of sounds to the rear of the microphone
  • Rejects RFI
  • They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
  • Incredible gain before feedback
  • Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
  • In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality

Foster the People at Coachella 2011 with the FM500 on Guitar

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FM360/HC

Tuesday, May 25th, 2010

13 inch hypercardioid podium microphone

The FlexMic™ Series podium microphones offer superb sound quality with high intelligibility and incredible gain before feedback. Our patented polar technology allows an orator to move as much as 90 degrees off-axis and still maintain the same pristine sound quality.

  • 13 inches long
  • Hypercardioid polar pattern
  • Ideal for a wide range of applications from a tall lectern to courtroom and tabletops
  • Uniform frequency response on or off axis
  • Flat from 50Hz to 20kHz within + 2dB at 6 inches
  • Will handle up to 145dB SPL
  • No handling noise
  • Will stay where you put it
  • High rejection of sounds to the rear of the microphone
  • Rejects RFI
  • They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
  • Incredible gain before feedback
  • Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility
  • In circumstances with three people on the same microphone you can hear all three with the same exceptional sound quality


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