FM360-LR, FM500-LR, FMR500-LR, FMR600-LR, FMR720-LR

20kHz Gooseneck Podium Microphones with LED

LED light ring gooseneck podium microphones with ultra-high intelligibility and reliable coverage

  • Green or red LED light ring

  • Available in 13″ (328mm), 19″ (475mm), 23″ (589mm) and 27″ (686mm) lengths

  • Cardioid or hypercardioid

  • Fully flexible gooseneck and rigid center gooseneck

From $659

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  • Available with either green or red LED light ring
  • Available in 13″ (328mm), 19″ (475mm), 23″ (589mm) and 27″ (686mm) lengths
  • Available in cardioid and hypercardioid
  • Available with fully flexible gooseneck and rigid center gooseneck
  • 5-pin XLR (audio pin 5+, pin 3-)
  • Uniform frequency response on or off-axis
  • Flat from 50Hz to 20kHz within ± 2dB at 12 inches
  • Will handle up to 139dB SPL
  • Minimal handling noise
  • High rejection of sounds to the rear of the microphone
  • RFI resistant
  • Incredible gain before feedback
  • Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility

Frequency Response: 150Hz to 20kHz ±2dB at 12 inches (30cm)

Polar Pattern: Cardioid or Hypercardioid

Sensitivity: 20mV/Pa (-34dBV/Pa)

Power Requirements: 24 – 48V Phantom, 10mA

Max Acoustic Input: 139dB SPL

Output: XLR-5 (audio pin 5+, pin 3-)

Output Impedance: 65Ω balanced (between pins 2 & 3)

Min Output Load: 600Ω between pins 2 & 3

Noise: 16dB SPL equivalent (A weighted)

Weight: .25 lb. (25g)

Green LED Models

FM360-LR-G 13 inch cardioid podium microphone with full gooseneck flex, green LED

FM360/HC-LR-G 13 inch hypercardioid podium microphone with full gooseneck flex, green LED

FM500-LR-G 19 inch cardioid podium microphone with full gooseneck flex, green LED

FM500/HC-LR-G 19 inch hypercardioid podium microphone with full gooseneck flex, green LED

FMR500-LR-G 19 inch cardioid podium microphone with rigid center and flex at both ends, green LED

FMR500/HC-LR-G 19 inch hypercardioid podium microphone with rigid center and flex at both ends, green LED

FMR600-LR-G 23 inch cardioid podium microphone with rigid center and flex at both ends, green LED

FMR600/HC-LR-G 23 inch hypercardioid podium microphone with rigid center and flex at both ends, green LED

FMR720-LR-G 27 inch cardioid podium microphone with rigid center and flex at both ends, green LED

FMR720/HC-LR-G 27 inch hypercardioid podium microphone with rigid center and flex at both ends, green LED

Red LED Models

FM360-LR-R 13 inch cardioid podium microphone with full gooseneck flex, red LED

FM360/HC-LR-R 13 inch hypercardioid podium microphone with full gooseneck flex, red LED

FM500-LR-R 19 inch cardioid podium microphone with full gooseneck flex, red LED

FM500/HC-LR-R 19 inch hypercardioid podium microphone with full gooseneck flex, red LED

FMR500-LR-R 19 inch cardioid podium microphone with rigid center and flex at both ends, red LED

FMR500/HC-LR-R 19 inch hypercardioid podium microphone with rigid center and flex at both ends, red LED

FMR600-LR-R 23 inch cardioid podium microphone with rigid center and flex at both ends, red LED

FMR600/HC-LR-R 23 inch hypercardioid podium microphone with rigid center and flex at both ends, red LED

FMR720-LR-R 27 inch cardioid podium microphone with rigid center and flex at both ends, red LED

FMR720/HC-LR-R 27 inch hypercardioid podium microphone with rigid center and flex at both ends, red LED

  • Conferencing / Installed Sound

 

The narrow usable portion of a conventional microphone’s polar response (with full frequency response) provides only a narrow area that will pick up sounds without high frequency losses at the sides of the microphone. The figures on the left indicate how many conventional microphones it takes to cover a room (with an 8 foot ceiling) and provide the full frequency response of the microphone at the head of a six foot man, in standing position.

The figure on the right shows the much wider polar response (with full frequency response) of Earthworks directional High Definition Microphones™, requiring fewer microphones. In addition you also have more sound level before feedback, no spotlighting or highlighting, more rejection of sounds from the rear of the microphone, in addition to a vastly superior sound quality.

  • OMW1 Foam Windscreen
  • Lock Nut

The Flexmic’s near flawless reproduction of audio and extremely smooth frequency response on and off-axis allows more gain before feedback than other microphones I have used. I can get the level of audio I need from the FlexMics, even from people with poor microphone technique, without having to compromise the audio quality from excessive EQ to get rid of feedback.

 

Chase Daigle, MSC Systems

Speakers tend to shift from side to side when speaking, turn their heads, speak softly or too loud and back away from the mic. The FMR500 helps us to combat these issues. The response is consistent and clear during the entire presentation.

Lennox Foster, Sound Media