The DK25/R is for recording and has two TC25 omnis for overheads, an SR25 cardioid for kick drum, a KickPad™ and a windscreen. This model is ideal for use in an enclosed acoustic environment or in a drum room/booth.
- Improved impulse response for faster and more accurate transients
- Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier loud attacks
- Extended frequency response to 25 kHz to capture a crisper and more realistic image
- Near perfect polar patterns that remain even across all frequencies and at any position within the pattern
- More cohesive and unified drum sound
- Hear more attack and subtle detail
- Increased detail and dynamic range
- Versatile, multi-use mics
- Mics are protected in a high impact case
- Ideal three-mic choice for recording
- Fast setup and teardown
- Comes with 2 TC25s (for overheads), 1 SR25 (for kick drum), 1 KickPad™, 1 windscreen
Frequency Response: 9Hz to 25kHz ±1/-3dB
Polar Pattern: Omnidirectional
Sensitivity: 10mV/Pa (-40dBV/Pa)
Power Requirements: 48V Phantom, 10mA
Max Acoustic Input: 150dB SPL
Output: XLR (pin 2+)
Output Impedance: 100Ω, balanced (50Ω ea. pin 2 & 3)
Min Output Load: 600Ω between pins 2 & 3
Noise: 27dB SPL equivalent (A weighted)
Dimensions L x D: 165mm x 22mm (6.5 x .860 inches)
Weight: .35 lb. (160g)
Frequency Response: 50Hz to 25kHz ±2dB at 6 inches (15cm)
Polar Pattern: Cardioid
Sensitivity: 10mV/Pa (-40dBV/Pa)
Power Requirements: 48V Phantom, 10mA
Max Acoustic Input: 145dB SPL
Output: XLR (pin 2+)
Output Impedance: 100Ω, balanced (50Ω ea. pin 2 & 3)
Min Output Load: 600Ω between pins 2 & 3
Noise: 22dB SPL equivalent (A weighted)
Dimensions L x D: 165mm x 22mm (6.5 x .860 inches)
Weight: .35 lb. (160g)
Drum overhead
Kick drum
Percussion
“…the sound of the TC25s versus our usual mics was that the attack was much crisper and clearer, especially on cymbals…”
“…excellent transient response and ability to capture low-level detail make them a natural for acoustically oriented music…”
“…the characteristic clarity, depth, spaciousness, and attack of these Earthworks mics is impressive, even using a minimalist three-mic technique…”
“…detail that they offer, especially in terms of transient response, is unequaled by any other mic that I’ve used…”
“…the kick was deep and full, the snare and toms maintained a great balance of top end and bottom end, and the cymbals were open and airy…”
“…well-defined yet round sound, with plenty of “air” in the upper harmonics of the drum…”
| LP1530 | LevelPad – switchable -15 or -30dB |  |
| KP1 | KickPad |  |
| DK25/R-C | Aluminum case for DK25/R |  |
| MC1 | Standard microphone clip for all drum microphones |  |
| MC2 | Shock mount microphone clip for all drum microphones |  |
| SRW3 | Foam Windscreen for SR25 |  |
| OMW1 | Foam teardrop windscreen for TC25 |  |
| OMW3 | Foam windscreen for TC25 |  |
Other DrumKit Models
| DK25/L | 3 microphone drum mic kit for live performance |  |
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| DK50/R | premium 3 microphone drum mic kit for recording |  |
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