Archive for July, 2010

Earthworks Microphones an Integral Part of HOW-TO Sound Workshops

Friday, July 30th, 2010

Eatontown, NJ – July 26, 2010 – In an effort to reach greater numbers of people and provide a more relevant worship experience, sophisticated audiovisual (AV) systems are becoming ever-more present in today’s House of Worship market. The impact of these AV systems has been profound, but training is essential in order for “newcomers” to make informed decisions about the equipment they invest in and how to properly use it—and that’s where the HOW-TO Sound Workshops enters the picture. Armed with equipment from professional audio’s leading manufacturers, the uninitiated learn the skills they’ll need to find success in their own worship facilities. Microphones are a key element in the sound reinforcement equation and, for this, seminar attendees gain first hand exposure to models from Earthworks, Inc.

Hector La Torre, Managing Partner of Fits & Starts Productions, is the organizer and founder of the HOW-TO Sound Workshops. He discussed the nature of the seminars and how Earthworks became involved. “The HOW-TO Sound Workshops are dedicated to training church sound volunteers and technicians in the art and operation of sound system equipment,” explained La Torre. “The Workshops also present technology seminars at private recording schools and universities across the USA. Being responsible for tour logistics, interfacing with tour sponsors, and helping to create curriculum, I wanted our workshop attendees to gain exposure to the best equipment, and this led me to Earthworks—whose microphones are highly regarded in our industry.”

Presently, the HOW-TO Sound Workshops are using microphones from the Earthworks PianoMic™, FlexMic™, and ChoirMic™ models. The PianoMic™ is an innovative solution that features two random incidence, omnidirectional, 40 kHz High Definition Microphones™ and utilizes a unique, easy-to-place support mechanism that straddles the piano’s harp with the lid in either open or closed position, thus facilitating a variety of piano miking options. The Earthworks FlexMic™ microphones are optimized for use on podiums—thus making them ideal for sermons and other public speaking applications. The Earthworks ChoirMic is a hanging microphone that incorporates a short, flexible gooseneck from the microphone’s body that provides the ability to aim the capsule at the precise point desired. Collectively, these three models address the most common church miking applications: piano, public speaking, and reinforcement for choirs.

“The Earthworks microphones are used in a hands-on fashion where workshop attendees get to touch and listen to the mics in action,” notes La Torre. “This enables our students to learn how to use the equipment properly when they get back to their respective churches. They are a great teaching tool and are an essential part of our training program.”

La Torre explained why the inclusion of Earthworks microphones was considered so crucial to the HOW-TO Sound Workshops. “Because of their excellent polar response and high SPL input capability,” he said, “the Earthworks microphones make an ideal choice for churches. In the case of the PianoMic™, it makes the job of miking the piano easier while delivering excellent results. The fact that the system can provide pristine audio quality with the piano lid up or down is a huge benefit, as many churches suffer from sight-line considerations when the piano lid is in the up position. Additionally, the choir mics are more forgiving than many competing models if they happen to be improperly positioned, which is often the case in church setups that are dependent upon volunteer help.”

Summarizing his experience with both the company and its products, La Torre offered this closing thought about Earthworks. “The Earthworks mics have made it easier for us to teach proper miking techniques because attendees can really hear the difference in sound quality with a superior mic and proper positioning,” La Torre reports. “Church folks are drawn to Earthworks’ sound quality when they hear it and we’ve received numerous calls from attendees saying they feel Earthworks is the solution to their miking challenges. That’s a good feeling knowing you’ve helped solve so many churches’ audio concerns.”

About the HOW-TO Sound Workshops

The HOW-TO Church Sound Workshops are conducted on-site at churches and specific audio retailers in 36 cities across the country each year, and are led by chief instructor and respected industry veteran Mike Sokol. The workshops focus on hands-on training so that attendees learn how to integrate AV components and operate a sound system—from microphone to speaker—effectively and efficiently with special attention paid to the challenges many House of Worship face. For additional information, visit them online at www.howtosound.com.

About Earthworks, Inc.

Earthworks is a New Hampshire, U.S.A. based manufacturer of High Definition Microphones that is dedicated to quality and sonic excellence. Each Earthworks product is handmade with great care, meticulous attention to detail, and a strong emphasis on quality. Earthworks prides itself in making only the very best in professional audio equipment intended for mission critical sound applications. For additional information, visit the company online at www.earthworksaudio.com.

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Earthworks Debuts New Website

Tuesday, July 20th, 2010

Rich with information, visual appeal, and media clips

Milford, NH – July 20, 2010 – Earthworks, Inc., a leading manufacturer of High Definition Microphones™ for recording, live sound, test/measurement, and installed sound is pleased to announce the launch of the company’s new website. Complete with easy-to-find product information, a striking contemporary visual aesthetic, and a wide range of media clips, the new Earthworks website is a must visit destination for musicians and audio professionals in search of comprehensive information regarding the company’s product offerings.

Visual appeal is critical to any website and, on that note, the new Earthworks site excels. Upon arriving at www.earthworksaudio.com, visitors will likely first notice two key areas: a variety of alternating artist/engineer profiles and, directly beneath, four regions that list the company’s products by category. By simply clicking on the artist/engineer image (or clicking “Learn More”), visitors are directed to articles that share tips, tricks, and the subject’s reasoning for deploying a particular Earthworks product. Combined with a dedicated Featured Artists section, the new site contains an impressive amount of artist/engineer material. Similarly, the new product categories—Recording, Live Performance, Measurement, and Installations—list those products best suited for a particular application and make it easy to zero in on the “right tool for the job.”

When visiting an individual product page, visitors will be impressed with the new website’s wealth of information, sound clips, and video. Here, one can quickly access product specifications, key features, user manuals, related accessories, informative videos, sound clips, plus a glimpse of artists and others who use that particular product. Making an informed purchase decision has never been easier.

From the site’s Media Room, visitors can select to peruse the company’s press releases, product reviews, download product brochures, and more. The Media Room also features photo albums that showcase pictures taken by Earthworks employees that cannot be found anywhere else. In the Multimedia section, there’s a fascinating collection of videos, including several with Earthworks company founder David Blackmer that provide real insight into his technical and philosophical approach to audio. Similarly, accessing product images, company logos, and advertisements are but a few clicks away.

Once a prospective customer has determined which Earthworks product is best suited to their application, finding an authorized Earthworks dealer has never been easier. By clicking “Where to Buy”, visitors are taken to a page where the entry of a ZIP code or the selection of a city/state plus the radius (how far one is willing to travel) yields a map listing the dealers in the specified area. Clicking the red flags presents the dealer’s name and full contact information.

Another noteworthy enhancement of the new Earthworks website is the new blog and social media links. From here, visitors can easily learn how other Earthworks customers are using their products, offer advice, and seek additional information via the company’s Facebook, MySpace, Vimeo, and YouTube pages.

Michael Hurwitz, Earthworks National Sales / Artist Relations Manager, commented on the company’s new website. “The new Earthworks website is fantastic,” Hurwitz proclaimed. “Finding the best product for one’s particular application has never been easier and the selection process is readily supported by testimonials, product reviews, specifications, owner’s manuals, and more. The site’s visual appeal is contemporary, easy on the eyes, and the abundance of audio and video material makes one’s time spent online both informative and rewarding. There’s a wealth of information, it’s a snap to find, and the ability to locate a nearby Earthworks dealer has never been easier. I’m confident prospective customers will find much to like.”

About Earthworks, Inc.

Earthworks is a New Hampshire, U.S.A. based manufacturer of High Definition Microphones that is dedicated to quality and sonic excellence. Each Earthworks product is handmade with great care, meticulous attention to detail, and a strong emphasis on quality. Earthworks prides itself in making only the very best in professional audio equipment intended for mission critical sound applications. For additional information, visit the company online at www.earthworksaudio.com.

The company would like to thank Catalyst Webworks for all their hard work on the new website. To learn more about Catalyst Webworks, visit them online at www.catalystwebworks.com.

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Add Flavor To Your Recordings Later

Wednesday, July 14th, 2010

Leonard Gibbs, Classical Recording Engineer for the Charleston Symphony Orchestra for the past 40 years, built a three-channel phased-array playback system located in a 1000 square foot acoustically designed room. His live recordings have been featured on National Public Radio broadcasts of Pipedreams, Performance Today, and (since 1995) on South Carolina NPR’s Carolina Concerts.

by Leonard Gibbs

Leonard GibbsI purchased my first pair of Earthworks Microphones Model QTC40 ten years ago. I now own 9, in addition to 11 other various Earthworks models. Originally, I just wanted to try to improve some areas of performance over the B&K 4006 omnis I owned at the time.

The Earthworks QTC40s are the most uncolored microphones I’ve ever used. What you hear with your ears, at a live concert, is what you get with these microphones. The only problem, when starting out with something this good, is trying to maintain the same level of uncolored sound all the way through — not just in the recording chain but the whole playback system itself. I’m as concerned about playback reproduction as I am with the original recording process. If you can’t play it back with a high degree of fidelity to the original, how can you judge what you’re doing? Recording live music and playing it back are opposite ends of the same problem! That’s why I designed and built my own playback studio.

If you have to record a full orchestra and large choir, say 300 people, as in a Mahler symphony, there will be more than enough opportunities for sound colorations to creep into the entire process. Consider all the equipment required for a recording project: microphones and microphone cables, microphone preamplifiers, types of recording devices (analog or digital), sampling rates, playback preamplifiers, interconnect cables, power amplifiers, speaker cables, speakers, and worst of all, room acoustics. To add any additional coloration in the first link in the chain, through microphones that alter or jazz up or “cook” the sound, seems unnecessary and counterproductive.

My approach to recording has always been to start with the most accurate microphones I can find. Remember, you can always add flavors later — you’ll have plenty of chances! So cook your steak the way you want it — but start with the best beef!!!

Above all, enjoy yourself and have some fun!

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Rufus Wainwright Chooses the Earthworks PianoMic™

Monday, July 12th, 2010

Milford, NH, July 12, 2010 – We chose to use the Earthworks PM40T with Rufus Wainwright because they needed a mic that would be natural sounding, detailed and sympathetic to the various playing styles that Rufus incorporates during his show.  We tried several mics and piano miking systems and everyone instantly felt the PM40 to be the best. Its versatility, speed and simplicity to set up, regardless of what piano you use, was an added bonus.

Rufus Wainwright

The show being a solo performance, both voice and piano are laid bare for the audience to see or in actuality, hear. So, it was essential to find a microphone that can represent the complexity of tone and dynamics found in a grand piano. Presenting the piano in a natural, unimposing manner, allowing the audience to feel as though they are seeing an acoustic show (albeit an enhanced show). This was also visually achieved by the PM40T as it is conspicuous and unimposing, basically hidden to the audience and not requiring any external stands or obtrusive cabling.

A lovely sounding microphone that maintains its integrity whether the piano is fully open, on a short stick or fully closed. This has helped maintain a level of consistency for the show in any situation we have found ourselves in. Be that indoors, outdoors or accompanied by other instruments.

With only a voice and piano, both elements are under a microscope as there is no other instrumentation to detract or distract from either of them. So, the quality of reproduction has to be at its highest and with the PM40, I think we achieve that.

-Suneil Pusari, Engineer for Rufus Wainwright

For additional information about Rufus Wainwright, visit him online at www.rufuswainwright.com.

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Earthworks Microphones On the Go With Branford Marsalis

Tuesday, July 6th, 2010

Milford, NH – July 6, 2010 – Few musicians span the musical gamut quite like Branford Marsalis. While known primarily for his work in the jazz genre, the versatile saxophonist/bandleader/composer regularly performs as a soloist, with classical ensembles, and earlier in his career, led the group Buckshot LeFonque, which merged the influences of jazz, rock, R&B, and hip-hop into something entirely new and refreshing. Whether recording or performing live, there’s one constant—in addition to his musical talents—that helps ensure his signature sound: the use of a wide range of Earthworks microphones.

Branford MarsalisRob “Wacko” Hunter has served as Branford Marsalis’ recording and live sound engineer since the mid 90’s. With a background that includes being drummer for the British metal renaissance band Raven prior to taking a seat behind the mixing console, Hunter co-produced and engineered Marsalis’ “Contemporary Jazz” album—for which he received a Grammy® Award. He also had a prominent role in the creation of the first Buckshot LeFonque album. With credits like these, Hunter clearly understands the importance of choosing microphones carefully. He discussed his fondness for Earthworks.

“I use all the Earthworks mics I have both in the studio and at a live concert,” Hunter notes. “My Earthworks microphone arsenal includes the DK25/L (live) and DK25/R (recording) drum kit mic systems, five P30/C Periscope microphones, four QTC40’s, two SR30’s, as well as the PM40 PianoMic™ System. We typically don’t use recording studios anymore, as we prefer to record our basic tracks in a church or concert hall setting, and these setups are pretty much the same as we use for a concert performance.”

Hunter’s favorite microphone for use on Branford’s saxophone is the Earthworks P30/C Periscope™ mic. “He likes to play off axis,” Hunter says. “For those times when Branford happens to be right on the microphone, the P30/C can definitely handle the SPL (sound pressure level). Branford also likes the P30/C’s low profile on stage. It’s a great mic. Since we usually perform in concert halls and Branford has great tone and a huge sound, we like to take full advantage of the room’s acoustics, so I also like to use the Earthworks QTC40’s to capture the room’s ambience. They give me a well balanced, full sounding and accurate representation of the band in the room. They’re the perfect microphones for that application.”

The Earthworks P30/C is also one of Hunter’s go-to mics for recording the piano. “I like the P30/C when recording the piano because of its low/mid/high zone focus, its clarity, and the ease of positioning the microphones via the goosenecks,” he explained.

For miking the piano on live performances, Hunter has a clear preference for the Earthworks PM40 PianoMic™ System. “For outdoor festival-type venues where there are no hall acoustics to take advantage of,” Hunter continued, “I like to go for a tighter sound with the piano lid closed and, for this, I really like the PM40. The PM40 is easy to use and very quick to position on the piano—and this feature is extremely valuable during those frantic festival stage changeovers. From a musical perspective, the PM40 delivers a full sound with the lid closed and provides excellent isolation. The system’s two mics give me a very well balanced and crystal clear representation of the piano’s highs, mids, and lows.”

Miking the drums is always a challenge and, for this, Hunter finds the Earthworks DK25/L DrumKit™ microphone system a terrific choice. “All the house engineers and drummers I work with comment on how clear and articulate the sound of the drums are using the live drum kit system,” says Hunter. “The ability of these mics to handle the sharp attack transients without my using a lot of compression provides a more natural sounding instrument in the live setting.”

Marsalis Music and Redeye distribution are proud to announce the release of a rare new album by New Orleans’ own Marsalis family – out on August 24, 2010. One of the most famous New Orleans multigenerational jazz families gathered together last June at the Kennedy Center in Washington, D.C. for a very special evening of celebration, appreciation, and performances as Marsalis family patriarch Ellis Marsalis received The Duke Ellington Jazz Festival’s Lifetime Achievement Award. “Our Earthworks microphones were there with us for this unforgettable event,” Hunter says, “and they certainly contributed to the high performance levels captured on this recording. These mics are a very important component of everything we do.”

For additional information about Branford Marsalis, visit him online at www.branfordmarsalis.com. For additional information about Marsalis Marsalis, visit him online at www.marsalismusic.com.

About Marsalis Music

Marsalis Music is the creation of Branford Marsalis, one of the most celebrated jazz musicians of the past quarter century. Based upon his extensive experience as a saxophonist, composer and bandleader, Marsalis recognized the need to form a label that allows a diverse array of musicians to document their best effort. Launched in 2002, Marsalis Music has focused primarily on jazz, with a roster featuring such promising new artists as Miguel Zenón and Claudia Acuña as well as Marsalis himself and such established stylists as Joey Calderazzo and Harry Connick, Jr.

About Earthworks, Inc.

Earthworks is a New Hampshire, U.S.A. based manufacturer of High Definition Microphones™ that is dedicated to quality and sonic excellence. Each Earthworks product is handmade with great care, meticulous attention to detail, and a strong emphasis on quality. Earthworks prides itself in making only the very best in professional audio equipment intended for mission critical sound applications. For additional information, visit the company online at www.earthworksaudio.com.

Click here for a hi-res image of Branford Marsalis.

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Earthworks SR40

Friday, July 2nd, 2010

From Recording Magazine

July 2010

by Dave Martin

The folks at Earthworks continue to explore the possibilities inherent in their original QTC1 design (reviewed October 1998), finding new applications for their ultra-small mic diaphragms that are fine-tuned for better suitability in specific applications.

The design

The latest offering from the New Hampshire based company is the SR40, a cardioid microphone with a wide frequency range and fast impulse response; while it’s not designed to be used only as an overhead for drums, this is certainly an application that seems appropriate given the specs. The SR40 has a 30 Hz–40 kHz frequency response and can handle up to 145 dB.

Read More

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